comics / German

Pixy
Jochen Enterprises, 1995, ISBN 3-930486-11-3, 72 pages, b/w, format 23 x 32 cm

This graphic novel about "safe sex suits, buildings that eat people, drunken foetuses with bazookas, money that shits on you, and recyclable bodies" became something of an underground classic and has so far been published in nine languages.

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Container #1
Jochen Enterprises, 1996, ISBN 3-930486-20-2, 32 pages, b/w, format 16,5 x 23,5 cm

The first issue of Max Anderssons German-language comic book collects mostly Car-Boy material, plus the early short story "Containers". Luxurious 5-color (4 + silver) Car-Boy cover.

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Container #2
Jochen Enterprises, 1997 ISBN 3-930486-34-2, 32 pages, b/w, format 16,5 x 23,5 cm

Includes Death, Santa Claus , Johnny Gun and more. Two-color inside cover pages.

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Container #3
Jochen Enterprises, 1999 ISBN 3-930486-58-X, 32 pages, b/w, format 16,5 x 23,5 cm

Includes Car-Boy, Wreck-Boy and Noisebusters. Extra production values: Two-color inside covers with lots of brand new Car-Kid characters.

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Film
Jochen Enterprises, 1998, 24 pages, b/w, format 10 x 10 cm

Mini-comic presenting four very short and violent stories.

Bosnian Flat Dog

ISBN 3-931377-94-6
Reprodukt, 2004, 88 pages. b/w, format 21,5 cm x 29 cm

A unique collaboration between Max Andersson and Lars Sjunnesson resulted in this graphic novel-length piece of surreal comics journalism, erasing and re-drawing the borders between dream and reality to form a tale both sincere and fantastic. Each of them contributed to every single drawing to the extent that they no longer can tell themselves just who did what. This has lead to the emergence of an independent artistic entity who is neither of the two, but something else, at once familiar and unknown and perhaps a little bit scary. The story is based on true events.
This book edition also contains an extensive illustrated glossary, a preface by Stefan Skledar and detailed maps of ex-Yugoslavia like you never saw it before (and never will again).

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Plaque 01

ISBN 3-9807725-3-5
avant-verlag, 2002, 300 pages, b/w and color, format 17 x 24 cm

The first issue of this anthology, combining comics and texts in the manner of “Mano” and “Black”, presents Die Ausgrabung – the first chapter of Max Anderssons The Excavation in German.

Strapazin
Strapazin

Stories and drawings by Max Andersson appear in the issues 38, 44, 71 and 87 of this long-lived Swiss anthology.

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